Thank goodness for Dads!

I rang my Dad and asked if he had a dremel I could steal for a while so I could continue working on my hue puruhau assignment.  Of course, my Dad came to my rescue and told me to shoot out to pick it up.

Due to Covid-19 and the social distancing, I kept my distance from Mum and Dad even though I would have loved a hug from them.  It was kai for the wairua seeing them both safe and happy in their bubble out at Tangiteroria.  Also grateful that my son is staying with them during lock down instead of being in the rat race that is Tamaki Makaurau.

So I picked up the dremel and brought it to my workshop for a tutu.  I didn't realise how much work there was needed to prepare the hue, a process I really enjoyed.  While reading about Hine Pu te Hue, I grew a new respect for working with the hue.  I've always been fascinated by the form because I tend to be drawn to shapes that are feminine (like a puku) and is a continuation of my mahi toi during the 1990's.

 

I found the mask an essential part in prepping the hue, the dust is quite potent and as soon as it touches your lips leaves a kawa taste in your mouth.  After watching a video on ETV I found that the mould found on hue can be hazardous.  Another reason to respect the hue.

 
So at this point I am playing around with the different burs and bits and the marks they make.  Using the dremel is also a skill in finding the right speed and rotations to use for each bit.  While searching on the web, I also came across Veranoa Hetet's favourite lamp that her pāpa made for her.  I've decided to make one also.  The hue I'm prepping is my 'practise' pieces before starting my taonga pūoro.

So, I'm happy getting acquainted with ngā hue <3